Hésitant, sur la pointe des pieds & subreptice. Basson, marimba, ...Hésitant, sur la pointe des pieds & subreptice. Basson, marimba, piano & percussions. Différents arrêts à partir de @ 0'58. Descente @ 1'37. Fin douce @ 3'03.
Cheap keyboard sounds atop a stumbling rhythm and a weird distorted ...Cheap keyboard sounds atop a stumbling rhythm and a weird distorted lead line. Extravagant individualism to the point of eccentricity is implied.
Cheap keyboard sounds atop a stumbling rhythm and a weird distorted ...Cheap keyboard sounds atop a stumbling rhythm and a weird distorted lead line. Extravagant individualism to the point of eccentricity is implied.
Cheap keyboard sounds atop a stumbling rhythm and a weird distorted ...Cheap keyboard sounds atop a stumbling rhythm and a weird distorted lead line. Extravagant individualism to the point of eccentricity is implied.
Friday night: In the back of a cab, on the way to an elegant cocktail ...Friday night: In the back of a cab, on the way to an elegant cocktail bar ? past the neon signs and traffic light shine of the city.
Friday night: In the back of a cab, on the way to an elegant cocktail ...Friday night: In the back of a cab, on the way to an elegant cocktail bar ? past the neon signs and traffic light shine of the city.
Friday night: In the back of a cab, on the way to an elegant cocktail ...Friday night: In the back of a cab, on the way to an elegant cocktail bar ? past the neon signs and traffic light shine of the city.
Friday night: In the back of a cab, on the way to an elegant cocktail ...Friday night: In the back of a cab, on the way to an elegant cocktail bar ? past the neon signs and traffic light shine of the city.
Film score / Trailer. Anticipating intro evolving with punctuated FX, ...Film score / Trailer. Anticipating intro evolving with punctuated FX, mysterious & eerie textures & riser. Impactful @ 0'53. Climax 1'17 with marvelous, dramatic & powerful synth, trailer FX & massive hybrid orchestra. Back end. Suggested for video games, space opera & outer space drama.
Mixe de heavy metal & de néo-classique. Intro solennelle puis marche ...Mixe de heavy metal & de néo-classique. Intro solennelle puis marche appuyée dans un esprit gothique, héroïque & combatif. Violoncelle & heavy metal band.
Mixe de heavy metal & de néo-classique. Intro médium puis tempo ...Mixe de heavy metal & de néo-classique. Intro médium puis tempo rapide @ 0'50. Epique, lyrique & aventureux. Violoncelle & heavy metal band.
The strenght is to be found in serenity! Gentle acoustic guitar ...The strenght is to be found in serenity! Gentle acoustic guitar sounds invite you to relax. Now is the time to recharge your batteries and think about new life plans.
Paroles ... Chanson de travail sur les prisons, l'exploitation forestière et les ...Chanson de travail sur les prisons, l'exploitation forestière et les chemins de fer de la fin du 19ème siècle également connue sous le titre Nine Pound Hammer. Chanteur dans un esprit country & western, banjo, harmonica & dobro. Soubassophone & batterie @ 0'58. Instrumental tr-16.
Chorus
Take this hammer and carry it to the captain Take this hammer and carry it to the captain Take this hammer and carry it to the captain
An’ Tell him I’m gone Tell him I’m gone
Verse 1
If he ask you was I runnin’ If he ask you was I runnin’ If he ask you was I runnin’ Tell him I was flyin’ Tell him I was flyin’ If he ask you was I laughin’ If he ask you was I laughin’ If he ask you was I laughin’ Tell him I was cryin’ Tell him I was cryin’
Chorus
Take this hammer carry it to the captain Take this hammer carry it to the captain Take this hammer carry it to the captain
Tell him I’m gone Tell him I’m gone
Verse 2
I don’t want no green back dollar I don’t want no green back dollar I don’t want no green back dollar
It hurts my pride It hurts my pride
Chorus
Take this hammer carry it to the captain Take this hammer carry it to the captain Take this hammer carry it to the captain
Tell him I’m gone Tell him I’m gone
Take this hammer carry it to the captain Tell him I’m gone Tell him I’m gone
Traditional arranged byManuel Galvin & Jean-Jacques Milteau
Paroles ... Blues & standard de jazz d'origine inconnue "Well, I’m going down ...Blues & standard de jazz d'origine inconnue "Well, I’m going down to the St. James Infirmary, to see my baby there". Tragique & désabusé. Chanteur dans un esprit blues/soul, snaps, soubassophone, batterie & marimba. Instrumental tr-17 & 18.
Verse 1
Well, I’m going down to the St. James Infirmary, to see my baby there
She was all stretched out, on a long white table So sweet, so cold, so bare
Verse 2
Let her go, go ! Ahh, my little Baby, Where ever she can beYou may search this whole world all over But she’d never find a sweet man like me
Verse 3
Now, when I die, bury me in Stetson shoesA Stetson coat, and a Stetson hat And put a twenty dollar gold piece on my watch chain So the cats know, that I died fat Ad Lib
St. James Infirmary, where can my baby be ? It’s just at St. James Infirmary, yeah Let my baby go, let my baby goLet my Baby go, go, go Let my Baby go !
Traditional arranged by : Manuel Galvin & Jean-Jacques Milteau
Paroles ... Ballade traditionnelle de la fin du XIXe siècle originaire des ...Ballade traditionnelle de la fin du XIXe siècle originaire des Appalaches du Sud, également connue sous le nom de Black Girl ou My Girl. "In the pines, in the pines, where the sun never shines, And you shiver when the cold winds blow". Chanteur dans l'esprit country & western, contrebasse, slide dobro, banjo & e-bow guitar @ 0'54. Instrumental tr-21 & 22.
Chorus
In the pines, in the pines Where the sun never shines And you shiver when the cold winds blow
Verse 1
Little girl, little girl, what have I done That makes you treat me so? You caused me to weep, you caused me to mourn And you caused me to leave my home
Chorus
In the pines, in the pines Where the sun never shines And you shiver when the cold winds blow
Verse 2
The longest train I ever saw Came down that Georgia line The engine passed at six o'clock And the cab came by at nine
Chorus
In the pines, in the pines Where the sun never shines And we shiver when the cold winds blow
In the pines, in the pines Where the sun never shines And you shiver when the cold winds blow
Traditional arranged by Manuel Galvin & Jean-Jacques Milteau
Paroles ... Ballade de la Guerre de Sécession à sur une jeune fille aux cheveux ...Ballade de la Guerre de Sécession à sur une jeune fille aux cheveux blonds. "Aura Lee! Aura Lee! Maid of golden hair, sunshine came along with thee and swallows in the air." Chanteur dans un esprit country & western, mandoline à l'unisson, lap-steel, banjo, guitare e-bow & guitare acoustique. Instrumental tr-24.
Verse 1 As the blackbird in the spring 'neath the willow tree Sat and piped I heard him sing
Praising Aura Lee.
Chorus Aura Lea! Aura Lea! Maid of golden hair Sunshine came along with thee And swall-ows in the air.
Verse 2 Take my heart and take my ring I give my all to thee Take me for eternity Dearest Aura Lee!
Chorus Aura Lea! Aura Lea! Maid of golden hair Sunshine came along with thee And swall-ows in the air.
Verse 3 In her blush the rose was born 'twas music when she spoke In her eyes the light of morn Sparkling seemed to break.
Chorus Aura Lee! Aura Lee! Maid of golden hair Sunshine came along with thee And swall-ows in the air.
Verse 4 Aura Lee the bird may flee The willow' golden hair Then the wintry winds may be Blowing ev'rywhere.
Chorus Aura Lee! Aura Lee! Maid of golden hair Sunshine came along with thee And swall-ows in the air.
Verse 5 Yet if thy blue eyes I see Gloom will soon depart For to me sweet Aura Lee Is sunshine to the heart.
Chorus Aura Lee! Aura Lee! Maid of golden hair Sunshine came along with thee And swall-ows in the air.
Words by William W. Fosdick (D.P) Music by George R. Poulton (D.P)
Arrangement by Manuel Galvin & Jean-Jacques Milteau
Version country/folk de tr-1. Introduction avec voix a cappella. ...Version country/folk de tr-1. Introduction avec voix a cappella. Ukulélé @ 0'33, nappes & basse @ 1'05. Banjo @ 1'37.
