Alternate version without percussion. Anticipating intro evolving ...Alternate version without percussion. Anticipating intro evolving with metallic gun FX & huge synth. Agressive & violent. Build-up starting @ 0'46. Percussive climax @ 1'15 in a dramatic & intense mood. Back end. Pulsing trailer music for thriller, action movies, sci-fi & video games.
Alternate version percussion only. Anticipating intro evolving with ...Alternate version percussion only. Anticipating intro evolving with heavy percussion. Agressive & violent. Build-up starting @ 0'46. Percussive climax @ 1'15 in a dramatic & intense mood. Back end. Pulsing trailer music for thriller, action movies, sci-fi & video games.
Alternate version without percussion. Rising intro building-up with ...Alternate version without percussion. Rising intro building-up with clock & chaotic synth. Nervous & disturbing. Powerful build-up @ 0'54 with tense FX. Climax @ 1'31 with breath FX. Pulsing trailer music suggested for sci-fi, dystopia, suspenseful & horrific drama.
Anticipating & cavernous intro with weird sound design & hybrid ...Anticipating & cavernous intro with weird sound design & hybrid percussion with riser. Build-up starting @ 0'32 with a pending bass impact. Accelerating @ 0'48 with intense braam. Break @ 1'05 with alarm FX. Climax rising @ 1'20. Long back end. Pulsing anxious trailer music for thriller, out of time scene, suspens, drama & spy movie.
Alternate version without percussion. Anticipating & cavernous intro ...Alternate version without percussion. Anticipating & cavernous intro with weird sound design. Build-up starting @ 0'32 with a pending bass. Accelerating @ 0'48. Break @ 1'05 with alarm FX. Climax rising @ 1'20. Long back end. Pulsing anxious trailer music for thriller, out of time scene, suspens, drama & spy movie.
Alternate version percussion only. Anticipating & cavernous intro ...Alternate version percussion only. Anticipating & cavernous intro with hybrid percussion with riser. Build-up starting @ 0'32 with a pending bass impact. Accelerating @ 0'48 with intense braam. Break @ 1'05 with alarm FX. Climax rising @ 1'20. Long back end. Pulsing anxious trailer music for thriller, out of time scene, suspens, drama & spy movie.
Alternate version without percussion. Anticipating & broody intro ...Alternate version without percussion. Anticipating & broody intro building-up with weird sound design & signature sounds. Build-up @ 0'44 with anxious synth. Cinematic break @ 1'06. Climax 1'37 in a powerful & agressive spirit. Back end. Suspenseful trailer music suggested for dystopia, future world, vidoe games & thriller.
Triste, affectueux & émouvant. Duo de guitares classiques. D'après ...Triste, affectueux & émouvant. Duo de guitares classiques. D'après la Chanson Triste Op.40 n°2 de P.I. Tchaikovski.
Solennel & majestueux. Duo de guitares classiques. D'après la Suite ...Solennel & majestueux. Duo de guitares classiques. D'après la Suite en mi mineur BWV 996 de J.S. Bach.
Solennel & scandé. Duo de guitares classiques & percussions. ...Solennel & scandé. Duo de guitares classiques & percussions. D'après la Suite en mi mineur BWV 996 de J.S. Bach.
Intro émouvante avec cordes nostalgiques puis drop déterminé & ...Intro émouvante avec cordes nostalgiques puis drop déterminé & énergique @ 1'23. D’après « L’Eté, mouvement Adagio » des Quatre Saisons de Vivaldi. Synthé, cordes & rythmique.
Paroles ... Catchy, entraînant mais désillusionné. Electro-pop chantée en ...Catchy, entraînant mais désillusionné. Electro-pop chantée en espagnol. Chanteuse, synthétiseurs, percussions électroniques.
ES:
La primera vez que te conocí debí haberlo presentido Muy encantador y seductor El bonito Don Jua?n ha venido La segunda vez que nos encontramos Trajiste un ramo de cien rosas Una flor por cada error Cada herida, cada palabra y cada tusa
Cuando me miras, no te miro Aún me siento incomoda No estoy interesada en tus jugadas No quiero verte nunca mas
*Te digo* (pitched down)
Vete ya porfa vete ya No quiero verte acá porfa vete ya Vete ya porfa vete ya No quiero verte acá porfa vete ya (2x)
La tercera vez, que te vi Llegaste completamente convencido De tu estrategia de conquista Para tenerme en tu bolsillo
La cuarta vez que estuviste aquí Lamentablemente lo recordamos Ahí fue donde descubrí Tus verdaderas intenciones
Cuando me miras, no te miro Todavía me siento incomoda No estoy interesada en tus jugadas No quiero verte más
*Te digo* (pitched down) Vete ya porfa vete ya No quiero verte acá porfa vete ya Vete ya porfa vete yaNo quiero verte acá porfa vete ya (2x)
*Te digo* (pitched down)
Vete ya porfa vete ya No quiero verte acá porfa vete ya Vete ya porfa vete ya No quiero verte acá porfa vete ya (4x)
EN:
The first time I met you I should have sensed it Very charming and seductive The beautiful Don Juan has come The second time we met You brought a bouquet of a hundred roses A flower for every mistake Every wound, every word, and every Tusa
When you look at me, I don't look at you I still feel uncomfortable I'm not interested in your moves I don't want to see you anymore
* I'm telling you * (pitched down)
Go away now please go away now I don't want to see you here please go now Go away now please go away now I don't want to see you here please go now (2x)
The third time, I saw you You arrived completely convinced Of your strategy of conquest To have me in your pocket
The fourth time you were here Sadly we remember That's where I discovered Your true intentions
When you look at me, I don't look at you I still feel uncomfortable I'm not interested in your moves I don't want to see you anymore
* I'm telling you * (pitched down) Go away now please go away now I don't want to see you here please go now Go away now please go away now I don't want to see you here please go now (2x)
* I'm telling you * (pitched down)
Go away now please go away now I don't want to see you here please go now I don't want to see you here please go now I don't want to see you here please go now (4x)
Suelo enmohecido por un firmamento dulce que se aleja lento.
Suelo que sé que se partirá en pedazos por la ausencia de su cielo.
Hoy sé lo que es quedarse sola en plena noche y perder la fe.
Hoy sé lo que es buscar la luz en las entrañas y volver a ver.
No hables porque todo lo que dices cambia con las mañanas.
Cambia, el mundo es lo que quieras y no te vencerá.
No hables porque todo lo que dices cambia con las mañanas.
Cambia, el mundo es lo que quieras y no te vencerá.
Pienso otra vez en rabias infundadas contra una impotencia grande,
De vencer el miedo de aceptar que puedo transformarme en lo que quiera.
Hoy puedo entender que todo lo hasta ahora hecho se puede borrar.
Hoy miro hacia atrás y sé que lo que viene por delante importa más.
No hables porque todo lo que dices cambia con las mañanas.
Cambia, el mundo es lo que quieras y no te vencerá.
No hables porque todo lo que dices cambia con las mañanas.
Cambia, el mundo es lo que quieras y no te vencerá.
No hay una forma concreta de explicar lo que es,
tener la vida en las manos, dejarla caer y atraparla otra vez.
No hables porque todo lo que dices cambia con las mañanas.
Cambia, el mundo es lo que quieras y no te vencerá.
No hables porque todo lo que dices cambia con las mañanas.
Cambia, el mundo es lo que quieras y no te vencerá.
EN:
Moldy soil by a sweet firmament that slowly moves away.
A soil that I know will break into pieces because of the absence of its sky.
Today I know what it is to be alone in the middle of the night and lose faith.
Today I know what it is to search for the light in the guts and see again.
Don't talk because everything you say changes with the mornings.
Change, the world is whatever you want and it will not defeat you.
Don't talk because everything you say changes with the mornings.
Change, the world is what you want and it will not defeat you.
I think again of unfounded rages against a great impotence,
Of overcoming the fear of accepting that I can transform myself into whatever I want.
Today I can understand that everything done so far can be erased.
Today I look back and I know that what lies ahead matters more.
Don't talk because everything you say changes with the mornings.
Change, the world is whatever you want it to be and it will not defeat you.
Don't talk because everything you say changes with the mornings.
Change, the world is whatever you want and it will not defeat you.
There is no concrete way to explain what it is,
to hold life in your hands, drop it and catch it again.
Don't talk because everything you say changes with the mornings.
Change, the world is whatever you want it to be and it won't defeat you.
Don't talk because everything you say changes with the mornings.
Change, the world is whatever you want and it won't beat you.
Alternate without percussion. Weird & menacing intro with strange ...Alternate without percussion. Weird & menacing intro with strange synth, brass & dark suspenseful strings. Build-up starting @ 1'02 in a courageous & valiant spirit with heroic brass & lyrical staccato orchestra. Savage climax @ 2'21 with ethnic female vocal. Back-end. Trailer music suggested for docudrama, wildlife & natural documentary.
Alternate without choir. Weird & menacing intro with strange synth, ...Alternate without choir. Weird & menacing intro with strange synth, brass & dark suspenseful strings. Build-up starting @ 1'02 in a courageous & valiant spirit with percussion, heroic brass & lyrical staccato orchestra. Savage climax @ 2'21 with powerful impact. Back-end. Trailer music suggested for docudrama, wildlife & natural documentary.
Metal band / Industrial-metal. Suspenseful intro with pounding heavy ...Metal band / Industrial-metal. Suspenseful intro with pounding heavy drum & guitar riff. Combative, angry & serious. Eerie break @ 1'15 building-up with unleash double kick & driving riff. Break @ 1'51 with creepy lead guitar. Cavernous FX @ 2'35. For extreme sports, motor racing, wresling & esport / e-sport.
Paroles ... Alternate with screaming. Metal band / Industrial-metal. Suspenseful ...Alternate with screaming. Metal band / Industrial-metal. Suspenseful intro with pounding heavy drum & guitar riff. Combative, angry & serious. Eerie break @ 1'15 building-up with unleash double kick & driving riff. Break @ 1'51 with creepy lead guitar. Cavernous FX @ 2'35. For extreme sports, motor racing, wresling & esport / e-sport.
VIOLENCE - I MET THE DEVIL
I just met the devil
He didn't look like I expected
When I looked straight in his eyes
All I could see was black black black
Ad lib > Black
Ad lib > We Are the devil
I just met the devil
I was wrong until then
when I dared a glance
I recognized a human face
human face
In this absolute darkness
I saw his solitude and sadness
A scared animal, craving for chaos
Craving for chaos
I just met the devil
He didn't look like I expected
When I looked straight in his eyes
All I could see was black black black
Ad lib > We Are the devil
Doom metal band / Industrial hybrid metal. Filtered intro building-up ...Doom metal band / Industrial hybrid metal. Filtered intro building-up with heavy riff & vehement drum. Irregular break @ 0'32 with sequences & eerie synth. Epic & gothic climax @ 1'16. Uncomprosing finale in a bold & frantic spirit. Suggested for epic game trailer, esport / e-sport & virtual action.
