Thoughtful, dark track for social reports and documentaries on topics ...Thoughtful, dark track for social reports and documentaries on topics such as poverty, war or economic crisis.
Thoughtful, dark track for social reports and documentaries on topics ...Thoughtful, dark track for social reports and documentaries on topics such as poverty, war or economic crisis.
Thoughtful, dark track for social reports and documentaries on topics ...Thoughtful, dark track for social reports and documentaries on topics such as poverty, war or economic crisis.
Thoughtful, dark track for social reports and documentaries on topics ...Thoughtful, dark track for social reports and documentaries on topics such as poverty, war or economic crisis.
Thoughtful, dark track for social reports and documentaries on topics ...Thoughtful, dark track for social reports and documentaries on topics such as poverty, war or economic crisis.
Thoughtful, dark track for social reports and documentaries on topics ...Thoughtful, dark track for social reports and documentaries on topics such as poverty, war or economic crisis.
Paroles ... Bouncy, rhythmic & boisterous calypso / soca with reggaeton-pop vibes ...Bouncy, rhythmic & boisterous calypso / soca with reggaeton-pop vibes sung in Spanish. You left & now you want to come back. Male singer, male backing vocals, synth, steel drums, Latin & electronic percussion.
ES:
Esa niña me dejó
Pa' después volver aquí
Y mira que te lo advertí
Y mira que te lo advertí
Babe no sé lo que pasó
Pero ya no estoy en ti
Y mira que te lo expliqué
Y mira que te lo expliqué
Tu te fuiste y me quedé
Por que tu no sientes
Y ahora tu quieres volver
Mami estás caliente
Te marchaste, tu te fuiste
Un día ganaste, pero hoy perdiste
Y mira que te lo advertí
Y mira que te lo advertí
Y mira que te lo expliqué
Y mira que te lo expliqué
Ya no quiero tallita, no quiero carita,
Ya no soy el mismo de ayer
Lo siento cosita, ya no estás tan rica
Así que sale a resolver
Y ahora me enteré que tu me estás buscando
Parece que se te puso duro el mambo
Cuando te marchaste te fuiste gozando
Hasta donde, hasta cuando
Esa niña me dejó
Pa' después volver aquí
Y mira que te lo advertí
Y mira que te lo advertí
Babe no sé lo que pasó
Pero ya no estoy en ti
Y mira que te lo expliqué
Y mira que te lo expliqué
Tu te fuiste y me quedé
Por que tu no sientes
Y ahora tu quieres volver
Mami estás caliente
Te marchaste, tu te fuiste
Un día ganaste, pero hoy perdiste
Y que será
Y que será
Y que será
Y que será
Ya tu no suenas mi china
Y que será
Y que será
Y que será
Y que será
Arranca el carro y camina
Y que será
Y que será
Y que será
Y que será
Ya tu no suenas mi china
Y que será
Y que será
Y que será
Y que será
Arranca el carro y camina
Tu no tienes sentimientos
Porque estás vacía por dentro
Si te dejo regresar
Sé que volvería a pasar
Ahora llegó mi momento
Tu te fuiste y me quedé
Por que tu no sientes
Y ahora tu quieres volver
Mami estás caliente
Te marchaste, tu te fuiste
Un día ganaste, pero hoy perdiste
Esa niña me dejó
Pa' después volver aquí
Y mira que te lo advertí
Y mira que te lo advertí
Babe no sé lo que pasó
Pero ya no estoy en ti
Y mira que te lo expliqué
Y mira que te lo expliqué
EN:
That girl left me
To come back later here
And look, I warned you about it
And look, I warned you about it
Babe, I don't know what happened
But I'm not into you anymore
And look, I explained it to you
And look, I explained it to you
You left and I stayed
Because you don't feel
And now you want to come back
Mami, you're hot
You left, you went away
One day you won, but today you lost
And look, I warned you about it
And look, I warned you about it
And look, I explained it to you
And look, I explained it to you
I don't want your little games anymore, I don't want your cute face
I'm not the same as yesterday
Sorry, little thing, you're not as appealing anymore
So go and figure things out
And now I found out you're looking for me
Seems like things got tough for you
You left while having a good time
How far, how long
That girl left me
To come back later here
And look, I warned you about it
And look, I warned you about it
Babe, I don't know what happened
But I'm not into you anymore
And look, I explained it to you
And look, I explained it to you
You left and I stayed
Because you don't feel
And now you want to come back
Mami, you're hot
You left, you went away
One day you won, but today you lost
And what will it be
And what will it be
And what will it be
And what will it be
You don't sound charming anymore
And what will it be
And what will it be
And what will it be
And what will it be
Start the car and go
And what will it be
And what will it be
And what will it be
And what will it be
You don't sound charming anymore
And what will it be
And what will it be
And what will it be
And what will it be
Start the car and go
You have no feelings
Because you're empty inside
If I let you come back
I know it would happen again
Now my moment has come
You left and I stayed
Because you don't feel
And now you want to come back
Mami, you're hot
You left, you went away
One day you won, but today you lost
That girl left me
To come back later here
And look, I warned you about it
And look, I warned you about it
Babe, I don't know what happened
But I'm not into you anymore
And look, I explained it to you
And look, I explained it to you
Paroles ... Chanson Afro pop dansante, sensuelle & entraînante avec des ...Chanson Afro pop dansante, sensuelle & entraînante avec des influences bongo flava, chantée en anglais & en swahili. Baby let me show you my love... Chanteur, synthé, clavier électronique, percussions africaines & électroniques. Saxophone solo à 1'08 et à 2'42.
SW/EN:
Mami
So tell me what you want
Niweke wazi
Tusipitwe na wakati
Girl call me daddy
Coz I can give you everything you wanted
So let me come please your body
Na sipendagi kuvunja ahadi
Ukianza kudeka naweka
No matter the time of the day
Na vile hainaga mabega
Unajua haiwezi delay
Ukianza kudeka naweka
No matter the time of the day
Na vile hainaga mabega
Baby let me slide in
Pale
Wacha niweke pale
Pale
So baby si usare
Pale
Wacha niweke pale
Pale
So baby si usare
Ukitaka za ki mandingo umefika
Better believe damu moto ya kiafrika
Mwanamwali mbona una taabika
Njoo upate raha ki uhakika
Speedy ni mia ishirini,tia fora
Nikuweke kwa ceiling kama solar
Tukiwa si wawili hadi jikoni
Nikupe lishe kamili nyama choma
Ukianza kudeka naweka
No matter the time of the day
Na vile hainaga mabega
Unajua haiwezi delay
Ukianza kudeka naweka
No matter the time of the day
Na vile hainaga mabega
Baby let me slide in
Pale
Wacha niweke pale
Pale
So baby si usare
Pale
Wacha niweke pale
Pale
So baby si usare
Bamchikicha chikicha chikicha
Namfikicha bila kubakisha
Bamchikicha chikicha chikicha
Namfikicha bila kubakisha
Baby please yeah
Let me in mami
Baby please yeah
Let me in mami
Baby please yeah
Let me in mami
Baby please yeah
Let me in mami
Pale
Pale
EN:
Mami
So tell me what you want
Make me understand
Let's not waste time
Girl call me daddy
Coz I can give you everything you wanted
So let me come please your body
I dont break my promises
If you start vibing I put it
No matter the time of the day
And because it has no shoulders
You know it doesnt delay
If you start vibing I put it
No matter the time of the day
And because it has no shoulders
Baby let me slide in
There
Let me put it there
There
So baby let me
There
Let me put it there
There
So baby let me
If you want it the mandingo way you got it
Better believe my blood is warm I'm African
Why are you troubled my lady
Come get guaranteed happiness
Speed is 120 no jokes
Put you to the ceiling like solar
Just the two of us in the kitchen
I give you complete nutrition like grilled meat
If you start vibing I put it
No matter the time of the day
And because it has no shoulders
You know it doesnt delay
If you start vibing I put it
No matter the time of the day
And because it has no shoulders
Baby let me slide in
There
Let me put it there
There
So baby let me
There
Let me put it there
There
So baby let me
Bamchikicha chikicha chikicha
I hit it without leaving a thing
Bamchikicha chikicha chikicha
I hit it without leaving a thing
Baby please yeah
Let me in mami
Baby please yeah
Let me in mami
Baby please yeah
Let me in mami
Baby please yeah
Let me in mami
Warm, feel good & danceable instrumental zouk. Ideal for setting the ...Warm, feel good & danceable instrumental zouk. Ideal for setting the scene for festive, celebratory, beach party & tropical leisure segments in advertising or reality TV shows. Acoustic guitar, brass section, synth, Latin & electronic percussion.
Underscore. Warm, feel good & danceable instrumental zouk. Ideal for ...Underscore. Warm, feel good & danceable instrumental zouk. Ideal for setting the scene for festive, celebratory, beach party & tropical leisure segments in advertising or reality TV shows. Synth pads, Latin & electronic percussion.
Positive, percussive & catchy instrumental salsa choke, a mix from ...Positive, percussive & catchy instrumental salsa choke, a mix from both Colombian Caribbean and Pacific coasts rhythms. Sets the mood for festive celebrations & vibrant beach party scenes. Piano, synth brass section, Latin & electronic percussion.
Underscore. Positive, percussive & catchy instrumental salsa choke, a ...Underscore. Positive, percussive & catchy instrumental salsa choke, a mix from both Colombian Caribbean and Pacific coasts rhythms. Sets the mood for festive celebrations & vibrant beach party scenes. Piano, Latin & electronic percussion.
Musique instrumentale latine cumbia-trap. Swagger, rythmé & ...Musique instrumentale latine cumbia-trap. Swagger, rythmé & fougueux. Inspiré par la culture de danse urbaine contemporaine de la Colombie. Accordéon, section de cuivres, synthé, guitare électrique, fx riser, percussions électroniques & latines. Changement de rythme à 0'32, 1'04, 1'25, 1'57 & 2'19.
Reggaeton-trap instrumental. Percutant, imposant & chaloupé. ...Reggaeton-trap instrumental. Percutant, imposant & chaloupé. Inspiré par la Colombie, Porto Rico & la culture de danse urbaine contemporaine des Caraïbes. Synth, fx riser, cordes électroniques, échantillon de voix masculine, percussions électroniques & latines. Changement de rythme à 0'23, 0'55, 1'27 & 2'00.
Boléro-trap latin instrumental. Ardent, sensuel & captivant. ...Boléro-trap latin instrumental. Ardent, sensuel & captivant. Inspiré par la culture de danse urbaine contemporaine de Cuba. Guitare espagnole, synthé, tres cubain, fx riser, cordes, percussions électroniques & latines. Chutes à 1'23 et 1'54. Ambiance de foule Fx à 0'52 et à 02'21.
Paroles ... Célèbre folksong du 19ème aussi connu sous le titre The Great Rock ...Célèbre folksong du 19ème aussi connu sous le titre The Great Rock Island Route et devenu un standard de la country music. "From the great Atlantic ocean to the wide Pacific shore...". Chanteur country, rythmique, banjo, mandoline avec une touche bluegrass. Harmonica solo @ 1'25 & guitare électrique. Instrumental tr-26.
Verse 1 From the great Atlantic ocean to the wide Pacific shore From the queen of flowing mountains to the south side by the shore She's mighty tall and handsome and known quite well by all She's the combination on the Wabash Cannonball
Verse 2 Now She came down from Birmingham one cold December day As she rolled into the station you could hear all the people say There's that gal from Tennessee she's long and she's tall She came down from Birmingham on the Wabash Cannonball
Verse 3 Yeah Listen to the jingle the rumble and the roar As she glides along the woodland through the hills and by the shore Hear the mighty rush of the engine hear that lonesome hobo call You're traveling through the jungle on the Wabash Cannonball
Verse 4 Our Eastern states are dandy so the people always say From New York to St. Louis and Chicago by the way From the hills of Minnesota where the rippling waters fall No chances can be taken on the Wabash Cannonball
Verse 5 So Listen to the jingle the rumble and the roar As she glides along the woodland through the hills and by the shore Hear the mighty rush of the engine hear that lonesome hobo call You're traveling through the jungle on the Wabash Cannonball
Traditional arranged by Manuel Galvin & Jean-Jacques Milteau
