Doux, tendre, délicat, fragile & amoureux dans un esprit japonais. ...Doux, tendre, délicat, fragile & amoureux dans un esprit japonais. Piano solo. 2ème partie @ 1'12 jouée avec sourdine.
Fairy & romantic intro building-up with mallet instrument & strings ...Fairy & romantic intro building-up with mallet instrument & strings textures setting a gloomy & dark fantasy atmosphere. Fantastical build-up @ 0'23. Imposant @ 0'47 with ponderous percussion in a dramatic fairground spirit until epic climax with choir. Back end. Suggested for horrific adventure, Halloween, animation, video role-playing games, steampunk, freaks & magicians trailer.
Tendue & inquiétante atmosphère évoluant longuement avec FX & ...Tendue & inquiétante atmosphère évoluant longuement avec FX & pulsation. Insidieux & surnaturel @ 1'10 avec FX électronique.
Intro bizarre avec textures angoissantes. Piano désaccordé @ 0'24 ...Intro bizarre avec textures angoissantes. Piano désaccordé @ 0'24 évoluant vers un orchestre cauchemardesque avec percussion trailer. Pause étrange @ 1'11. Maléfique & dramatique à 1'33
Paroles ... Aggressive, obstinate & competitive reggaeton-metal sung in Spanish. ...Aggressive, obstinate & competitive reggaeton-metal sung in Spanish. Ready to step over anyone to win. Male singer, distorted electric guitars, synth, electronic percussion, cymbals & rock band.
ES:
Ya no quiero escucharte
Ya no te excuses
Estoy harto de contenerme
No lo soporto más
Siempre con dificultades
Siempre una condición
No tengo más que enfrentarte
Déjanos avanzar
Ya basta de tanto verso y dale paso a la acción
El tiempo se nos acaba, ya no hay mas que hacer
Ya basta de rezongar, ya deja de procrastinar
Tengo el hambre, tengo el deseo, solo quiero ganar!
Apártate
Retírate
No estorbes más
Y no aportes!
Solo quiero ganar
Solo quiero ganar
Sólo recuerda que la muerte llama y vendrá por ti
Pero antes que eso ocurra yo lograré salir de aquí
Ya no quiero escucharte
Ya no te excuses
Estoy harto de contenerme
No lo soporto más
Siempre con dificultades
Siempre una condición
No tengo más que enfrentarte
Déjanos avanzar
EN:
I don't want to listen to you anymore
Don't excuse yourself
I'm tired of holding back
I can't take it anymore
Always with difficulties
Always a condition
I have no choice but to face you
Let us move forward
Enough of all this talk, give way to action.
We're running out of time, there's no more to be done
Enough nagging, stop procrastinating
I've got the hunger, I've got the desire, I just want to win!
Step aside
Back off
Don't get in the way
And don't contribute!
I just want to win
I just want to win
Just remember that death calls and it will come for you
But before that happens I'll manage to get out of here
I don't want to listen to you anymore
Don't excuse yourself
I'm tired of holding back
I can't take it anymore
Always with difficulties
Always a condition
I have no choice but to face you
Let us move forward
Paroles ... Hip hop trailer. Anticipating intro building-up with powerful & ...Hip hop trailer. Anticipating intro building-up with powerful & motivational rap lyrics. Trailer percussion, riser & trap beat. Strong, bouncy & determined. Courageous build-up @ 1'27 in a fighting spirit. Climax @ 1'46 with epic hybrid orchestra. Suggested for action sport, entertainment & action video game.
Every step,
You can count on me,
Every step,
You can follow me,
Every step,
You can count on me,
Every step,
Came here from quite far,
Came thru that white fog,
Ain’t have no lightbulb,
The darkness, taught me to fight hard,
Only one I could count on,
Me myself and my rifle,
I did it for my own folks, for my own sake, for that pay roll,
1 to the 2 to the 3,
Every step of they way you can count on me,
Focused Follow my lead,
We in the jungle, now,
Where the beasts roam free,
Tigers, lions, Shooters,
I cannot save you,
If you do not move it,
This is no movie,
Real life scary,
Yeah but we punish intruders,
Action quit lapsing,
Eyes on the target,
Flash it,
Stick to the tactics,
Never fall back,
We doing it Just like in practice,
No pressure,
Pragmatic,
Count on me,
That’s magic,
4th quarter, no lacking,
I’m that kid no question,
Every step,
You can count on me,
Every step,
You can follow me,
Every step,
You can count on me,
Every step,
came here from quite far,
Came thru that white fog,
Ain’t have no lightbulb,
The darkness, taught me to fight hard,
Only one I could count on,
Me myself and my rifle,
I did it for my own folks, for my own sake, for that pay roll,
You can count On me,
You can count on me,
You can count on me, I’m the mvp you can count on me,
You can count On me,
You can count on me,
You can count on me, I’m the mvp you can count on me
Paroles ... Swagger & flaming hip hop trailer track with powerful male voice rap. ...Swagger & flaming hip hop trailer track with powerful male voice rap. Uncompromising, relentless & fierce. Fast & determined build-up @ 2'29 with hybrid percussion & trap beat. Break @ 1'12. Stimulating & uplifting climax @ 1'29. Tense finale & back end. Perfect for action sport, fighting movie, entertainment & football.
Go big or go home,
get your game face on,
I need a seat on that throne,
Go,
I leave it all on the floor,
If there’s a knock on the door,
Don’t leave us in we them boys,
You know the motto,
Full throttle, from the get go,
Ice in my veins like gelato,
Raising the ranks until god knows,
Go big or go home,
Pulling up In black Tahoe,
Make the rules, do not follow,
Boy smooth like Harlow,
I want the ball,
I need you to be running across,
Set me a screen, then im coming off,
Shooting for net, nothing but bottoms,
came for the culture, came for the show,
They know we go big or go home,
We ain’t never let em down on the road,
We ain’t never let em down for the trophy,
We them ones we them boys,
Pulling up making noise,
#1 ain’t no choice,
We them ones we them boys,
Pulling up making noise,
#1 ain’t no choice,
Go big or go home,
get your game face on,
I need a seat on that throne,
Go,
I leave it all on the floor,
If there’s a knock on the door,
Don’t leave us in we them boys,
Go big or go home x 4
Go big or go home
Pulling up black Tahoe,
Go big or go home
Ice in my veins like gelato,
Go big or go home
Pulling up black Tahoe,
Go big or go home
Make the rules, do not follow
Weird & suspenseful intro evolving into a spectacular, fast & ...Weird & suspenseful intro evolving into a spectacular, fast & powerful build-up with ostinato strings, huge percussion & brass. Percussive, massive & nervous @ 0'53. Climax @ 1'14 building-up strongly to a ferocious & bombastic finale with epic orchestra & choir. Back end. Trailer music suggested for modern sci-fi, space opera & dramatic action movies.
Low, dark & tense intro building-up with ostinato strings & powerful ...Low, dark & tense intro building-up with ostinato strings & powerful trailer percussion. Epic & vengeful brass @ 0'45 until accelerating part. Break @ 1'21 with synth strings & celestial / floating pads. Climax @ 1'57 with a tragic orchestra & male choir. Finale & back end. Epic trailer music sugested for dystopias, dark worlds & outer space.
Paroles ... Attitude, energetic & raw speed-rock sung in Spanish. Revealing the ...Attitude, energetic & raw speed-rock sung in Spanish. Revealing the real face of a fake person. Female singer, distorted electric bass, male backing vocals, synth & rock band. Cut & rhythm change @ 1'55.
ES:
Cinco días y vendrás aquí
con ojos comprensivos,
dirás lo que yo quiero oír,
te identificarás con mi dolor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Sé muy bien
Que eres una farsa
Hubo un tiempo que creí en ti,
no tenía razón para no hacerlo,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
yo también
Farsa, cuando pronto vuelves y me ves a tus pies,
algo que no logro comprender
Fue tu culpa la primera vez,
pero la segunda,
la segunda no lo fue
Y aunque diga que es la última vez
Ya te acostumbré
A siempre manipularme
Cinco días y vendrás aquí
con ojos comprensivos,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé,
y no sé por qué vuelvo a caer
cuando en el fondo yo lo sé.
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
EN:
Five days and you will come here
with sympathetic eyes,
you'll say what I want to hear,
you'll identify with my pain
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I know very well
That you are a sham
There was a time when I believed in you
I had no reason not to,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I'm a sham too
Sham, when soon you come back and see me at your feet,
something I can't understand
It was your fault the first time,
but the second time,
the second was not
And even if I say it's the last time
I've gotten you used to
Always manipulate me
Five days and you'll come here
with sympathetic eyes,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I do,
and I don't know why I fall again
when deep down I know
That you are a sham
That you'll deny it
You're a sham
You're a sham
You're a sham
You're a sham
Paroles ... Full Version. Attitude, energetic & raw speed-rock sung in Spanish. ...Full Version. Attitude, energetic & raw speed-rock sung in Spanish. Revealing the real face of a fake person. Female singer, male backing vocals, synth & rock band. Cut & rhythm change @ 2'13 & @ 3'02. Lead distorted electric bass @ 3'48.
ES:
Cinco días y vendrás aquí
con ojos comprensivos,
dirás lo que yo quiero oír,
te identificarás con mi dolor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Sé muy bien
Que eres una farsa
Hubo un tiempo que creí en ti,
no tenía razón para no hacerlo,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
yo también
Farsa, cuando pronto vuelves y me ves a tus pies,
algo que no logro comprender
Fue tu culpa la primera vez,
pero la segunda, no lo sé.
Otra vez
a tus pies
como si necesitara
de ti para vivir,
fue tu culpa la primera vez,
pero la segunda,
la segunda no lo fue.
Me llamas, me dices que no es verdad,
cuando es evidente que si es verdad,
es como si por decir mil veces una mentira,
se convierte en una mentira.
No sé por qué no puedes decir las cosas como son,
por qué tener que andar tapando lo que haces,
por qué no decir las cosas como son,
por qué no decir las cosas en la cara.
Y aunque diga que es la última vez
Ya te acostumbré
A siempre manipularme
Cinco días y vendrás aquí
con ojos comprensivos,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé,
y no sé por qué vuelvo a caer
cuando en el fondo yo lo sé.
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
EN:
Five days and you will come here
with sympathetic eyes,
you'll say what I want to hear,
you'll identify with my pain
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I know very well
That you are a sham
There was a time when I believed in you
I had no reason not to,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I'm a sham too
Sham, when soon you come back and see me at your feet,
something I can't understand
It was your fault the first time,
but the second, I don't know.
Once again
at your feet
as if I needed
you to live,
it was your fault the first time,
but the second time,
the second was not
You call me, you tell me it's not true,
when it's obvious that it is true,
it's as if by telling a lie a thousand times,
it becomes a lie.
I don't know why you can't tell it like it is,
why you have to go around covering up what you do,
why not tell it like it is,
why not say things in the face.
And even if I say it's the last time
I've gotten you used to
Always manipulate me
Five days and you'll come here
with sympathetic eyes,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I do,
and I don't know why I fall again
when deep down I know
That you are a sham
That you'll deny it
You're a sham
You're a sham
You're a sham
You're a sham
Instrumental full Version. Attitude, energetic & raw speed-rock. ...Instrumental full Version. Attitude, energetic & raw speed-rock. Synth & rock band. Cut & rhythm change @ 2'13 & @ 3'02. Lead distorted electric bass @ 3'48.
